What a year!
(Updated 12.5.2011 – More proof everyone needs a proofreader. Thanks to Elena Makansi for pointing out my misplaced apostrophe.)
Blank Slate Press was founded in 2010. With the help of our Editorial Board, we selected our first two authors–who, incidentally, had NOT finished their books–and guided them through the publication process with both books coming out in early 2011. While it was a learning experience for all of us, we successfully launched two debut novelists to rave reviews. THE SAMARITAN by Fred Venturini, our first book out the door, has received more accolades than we can keep track of and our second book, DANCING WITH GRAVITY by Anene Tressler, continues to receive glowing praise for the beautiful writing, the unique protagonist, and the startlingly revealing journey through one man’s crisis of character and journey of faith.
Besides kudos for the writing, both books have won awards (DANCING WITH GRAVITY won the 2011 Literary Fiction category from International Book Awards and THE SAMARITAN won the Cross-Genre category from USA Book Awards) and now both have been included on notable end-of-year “Best of…” reading lists. Shelf Unbound magazine named THE SAMARITAN as one of its top 10 Small Press books of 2011 (a list which was picked up by USA Today) and the St. Louis Post-Dispatch has included DANCING WITH GRAVITY on its round up of favorite books of 2011.
For those of you keeping count, that’s an amazing 2 for 2. Not bad for a debut publishing house. Not bad at all.
But that’s only the beginning!
We’ve got more great books on the horizon plus we’re launching a sister imprint — tentatively titled Treehouse Publishing — to offer curated, collaborative publishing to authors interested in forging a middle path between working with a traditional publishing team and the new financial opportunities afforded by going it alone through self-publishing.
Our next Blank Slate Press book, DAYBREAK by Steve Wiegenstein, is in production now and will be launched in the spring of 2012. DAYBREAK, set on the cusp of the Civil War, follows the story of charismatic author and speaker James Turner, his pragmatic wife Charlotte, and the idealistic abolitionist Adam Cabot as they work to build a Utopian society in the bottom lands of the Missouri Ozarks. While Steve does a fantastic job transporting the reader back in time and capturing the turmoil of the period, the thing that absolutely captivates me about this book is the amazing characters that populate it. Not only are Turner, Charlotte and Adam wonderfully drawn, but the secondary characters are so colorful and compelling that, even when they’re absolutely dangerous, good-for-nothing low-lifes and outlaws, you can’t help but love them. I can’t wait to introduce the world to Sam Hildebrand (a real-life Ozark outlaw), Harp Webb, Lysander Smith, and the men and women of the Daybreak community.
In short, DAYBREAK is fantastic.
And I can’t wait to tell you more about our first Treehouse title. I’ll be getting the revised manuscript mid-December and will write more about it then. For now, I can tell you now that it’s a fictional chronicle of one man’s experience in the Vietnam War. Torn between being a conscientious objector and doing his duty to serve his country, the main character ends up trained for the infantry but, at the last moment, he is pulled from his trip to the front lines and stuck in an office simply because he can type. It’s a look at running a war’s back office and is a bit like Catch 22 meets M*A*S*H meets The Office. If you’re interested in the philosophical pretzels we can twist ourselves into when it comes to war, this book is for you.
Stay tuned for more on this one!
Climb up into the Treehouse
The idea of developing a cooperative relationship among a group of writers and artists/designers and then publishing the group’s work (ala Hogarth Press) has intrigued me for a long time. (See earlier posts or check out our musings on the TWC page.) As the ebook phenomenon continues to develop and more publishers, agents, and editors jump into the self-publishing fray to try to get a piece of the self-publishing dollars, my thinking on the cooperative idea has continued to evolve. What we’re focused on now is the idea of an imprint that forges a middle road between traditional and self-publishing. In other words, an imprint that would publish authors who, like traditionally-published authors understand the importance of professional editors, designers, and marketers working as a team on their behalf, but who also want the advantages of self-publishing by having a yes/no say in the title and cover design, by getting a larger piece of the revenue pie, and by getting their book to market faster.
The Treehouse model, so named because a treehouse is emblematic as a refuge for the imagination, is, as I envision it, a middle way that will make sense to a lot of authors. (At least, it makes sense to me.) First, let’s consider the advantages for an author:
- A professional editor will work with you to make sure your book is as good as it can be while at the same time giving you final say over editorial decisions.
- A professional designer will work with you to create a cover that is both arresting and true to your vision and over which you have final yes/no control.
- Your book is “curated,” that is it is vetted and ushered through the publication process by professionals. Not all books are ready for prime time and the Treehouse crew will make sure each Treehouse author’s work is at its best before it goes “to print.”
- Your work will be published under an independent imprint.
- You have the Treehouse team on your side when it comes to advocating for and promoting your book.
- You do not have to wait a year to 18 months for your book to be published.
- You split the revenue 50-50 from each book sold–from the first book sold.
Now, let’s look at the disadvantages:
- You do not get an advance.
- But the truth is advances, even at the big houses, are getting smaller and many small publishers are paying very small advances, if any, on the front end while not raising royalty rates on the back end.
- Not only do you not get an advance, but you have to pay to invest in the upfront time/costs of editorial review, layout, design and e-book conversion.
- But the bottom line is that you pay either way.
- If you pay an editor to get your manuscript in shape so you can attract an agent, he or she will then shop it to an editor at a publishing house which then takes the cost of their own editorial/design/marketing, etc. out of the post-publication revenue stream. So in that case, you’ve paid twice. Remember, publishers are not in the business to publish your book for free–we have to make money (ideally) or at least cover our costs.
- Or, if you are doing self-publishing right, you will hire a professional editor and designer anyway, and you will have to spend the time converting your book or pay someone else to do it for you. Why not have a team work with you through the whole path-to-publication process and then keep that team engaged as your partners on your promotional/marketing efforts as well?
Treehouse Publishing, as I see it, gives authors the best of both worlds. How do you see it? What are the advantages and disadvantages of our proposed Treehouse curated publishing model? If you’re an author querying your manuscript now or considering self-publishing, I’d especially like to know what you think. Climb up into the Treehouse with us and let us know what you see for the future of publishing.
We’re getting tantalizingly close to having ARCs ready for review. Set on the cusp of the Civil War, DAYBREAK is the story of James Turner, his wife Charlotte, Adam Cabot, and the founding of a Utopian community in the Ozarks of Missouri. It is a story of ambition and conceit, love and betrayal, loss and hardship and, above all, idealism and survival. DAYBREAK unfolds against the backdrop of Civil War agitation, abolitionism, and the hardscrabble life on the edge of the frontier. If you would like to read or review an electronic ARC, please send me a note at kbmakansi @ blankslatepress.com. Scroll down for a preview of chapter 1 ….
Chapter One
August 1857
The keelboat moved so slowly against the current that Turner sometimes wondered if they were moving at all. Keeping a steady rhythm, Pettibone and his son worked the poles on the quarter-sized boat they had built to ply the smaller rivers that fed the Mississippi. Whenever the current picked up a little, Turner took the spare pole and tried to help, but although he was tall and muscular, with a wide body that didn’t narrow from shoulders to hips, poling a boat wasn’t as simple as it looked. He pushed too soon, too late, missed the bottom, stuck the pole in the mud, all to the amusement of Pettibone’s son, Charley.
“Limb,” Pettibone called. They all ducked.
Turner had unloaded his cargo at a steamboat landing in Arkansas and come the rest of the way on the keelboat, winding through the tangle of bayous where the rivers met, the countryside flat and swampy, the loops of the river indistinguishable. Pettibone claimed he knew the channel of the St. Francis, so there was nothing to do but trust him.
Turner wondered now about the steamboat captain’s advice to take a boat up the St. Francis instead of continuing to Cape Girardeau and traveling overland in whatever wagons he could rent or buy. Mosquitoes woke them before dawn and troubled them until the sun’s heat drove them to the shade, then troubled them again as soon as the sun declined. To give more purchase to their poles, they hugged the bank, but that meant fighting through overhanging brush all day. In the center of the boat was a stumpy mast, a four-inch pole draped with a canvas sail, fixed with a series of shaky-looking braces. Pettibone was constantly adjusting it, but most of the time it just hung slack in the hot, wet air. At night they tied up on the few solid-looking humps of land and slept on the boat for fear of snakes, netting draped over their bodies to slow down the mosquitoes. Even then Turner could not sleep well, dreaming of fat water moccasins slithering onto the deck.
On the eighth day a long low rise appeared before them. “That there’s Crowley’s Ridge,” said Pettibone. “Last piece of Arkansas you’ll see.”
“Thank God Almighty for that,” Turner replied.
The ridge sat to their left like a humped cloud bank on the horizon, but the countryside didn’t change. Arkansas on the left, Missouri on the right, it was all the same. Charley, a boy of thirteen, entertained himself by commenting aimlessly on everything he saw—turtles, herons, the stream of his pee into the river—until his father growled for silence.
The current strengthened as they rounded the ridge, and Turner had to wade ashore with a rope. At first he pulled directly on the boat, but Pettibone showed him how to snub the rope around a tree and keep it tight.
“Just take up the slack,” he said. “You don’t need to haul us upriver yourself.”
Turner filed away this information, as he planned to file away every piece of knowledge he gained for the next few years. He had to; this new chapter of his life depended on it. He was no farmer and had thirty years’ worth of experience to catch up on. But surely a man could pick up the tricks with attentiveness and study.
What in all creation am I doing here? he asked himself with every stroke of the pole. He didn’t know what he had been born to become, but by God it was not a farmer. He’d seen them every day back in Illinois, clumping into the newspaper office on their trips into town to hear the gossip, to sit around the desk and spit, leaving the editor’s boy—him—to clean up their misses. When he was small, he had disliked these men—their earthy smell, their beards, their ragged clothes. As he grew older, he saw that they were not dirty and ragged by choice, but by necessity, their lives swallowed up by their forty acres of ground, their debts, the prices handed to them by the local merchants and the railroad men. Of course they were ignorant of the larger world. Their world was no bigger than a quarter mile square, and that if they were lucky.
Even then, Turner knew he was not going to be a village editor like his father, listening with forced politeness to any son-of-a-bitch with a nickel, bowing to the county judges for the privilege of printing their legal notices. And now, if his father were alive, how he would laugh to see him on a keelboat, hauling a pile of tools and seeds into Missouri.
“Okay, jump on,” Pettibone said. “We’re crossing over.”
Ahead, the ridge finally came down to meet the river, ending in some low chalk bluffs. A ferryboat was tethered on the Missouri side where a wagon track ended in a ramp of packed dirt.
The ferryman, thin and toothless, walked out of his shed as they poled by. He was shirtless but wore a battered hat. “Well, Pettibone,” he called. “Come in and set. I got whiskey.”
Pettibone cast a sideways glance but did not stop poling. “My customer here is in a hurry. I’ll get you on the way back down.”
The ferryman touched the brim of his hat to Turner. “You’re welcome inside too, mister.”
“No thanks. Not even noon yet.”
“Where you headed?”
Pettibone interrupted. “Greenville, up by Greenville.” They were almost out of talking range. “Save me some of that old tanglefoot for when I come back.”
“I will, I will,” the ferryman called out, and turned back to his cabin.
They poled in silence until they rounded the next bend.
“I tell you what,” Pettibone said in a low voice. “That old bastard won’t cut your throat for your goods, but he knows people who will.”
By nightfall they had reached higher ground, and Pettibone’s mood improved. Ahead of them Turner could see the Ozarks rising up in the distant dusk, so low and hazy that they seemed like an illusion, no mountains, hardly even hills from this distance, but surely more than he had grown up with on the Illinois prairie. As they poled toward an angle of bank to tie up for the night, Pettibone, in the bow, suddenly dropped to the deck and motioned for Turner and the boy to be quiet. The boat drifted on, and as they floated to the bank, a deer came into view about fifty yards ahead, drinking.
Crouched behind the pile of supplies, Pettibone quietly removed a rifle from a box beside him. He tamped the powder and ball, wadded the barrel, and rested it across some sacks of flour. As soon as the deer raised its head, he fired. The gun made a deafening roar and sent a cloud of smoke across the boat, but when it cleared they could see the deer, dead, half in the river and half on the bank. It was a small doe, about eighty pounds.
Within half an hour they had the deer dressed and hanging from a tree limb. Pettibone set to butchering while Turner and the boy gathered firewood. Soon they had a foreleg over the fire.
“We’ll cook the rest tomorrow morning and take it with us,” the boatman said. “Get to Greenville, I’ll trade half of it for something. Full bellies tonight, boys.”
They were waiting for the venison to cook, Pettibone and Charley resting against a log and Turner sitting on an upturned nail keg, when a man on horseback appeared out of the darkness on the other side of the fire. He had arrived so quietly that he seemed to materialize out of the air. None of the three even had time to be surprised.
“I heard a shot,” said the man.
Pettibone and his son sat stiffly against the log. There was an awkward pause. So Turner jumped to his feet. A quick mind and a firm handshake had gotten him this far.
“Yes, indeed,” he said. “My friend here had some fine luck. Won’t you join us? We have plenty.”
The man glanced around the camp. He was tall and thin, with a narrow face and a long, bony nose. “Just you three?”
“Just us three.” Turner took a step toward him. He was a young man in his twenties, with black hair and an attempt at a beard. From his saddle horn hung a rifle in a homemade canvas scabbard. A rope trailed from his saddle, and in the darkness behind him, Turner could hear the snuffles and snorts of hogs.
“Don’t mind if I do,” said the man. He dismounted and Turner saw the glint of firelight on the barrel of a revolver stuck in his belt. He guessed by their frozen expressions that Pettibone and Charley had seen it too.
“James Turner,” he said, extending his hand.
The man shook it solemnly. “Sam Hildebrand.” He glanced behind himself. “I am taking some hogs to my cousin in Bloomfield. Hope you don’t mind a hog.”
“You are welcome,” Turner said. “Hog too.”
They settled by the fire and carved off pieces of venison with a long knife Hildebrand produced from a saddlebag. Turner introduced him to Pettibone and the boy; Pettibone muttered a greeting and shook his hand, while the boy stood mute.
“You’re a fine shot,” said Hildebrand, eyeing the carcass of the deer.
“I had a rest,” said Pettibone.
“You men afoot? I didn’t see no horse pickets.”
“We’re aboat,” Turner said. “Heading upriver.”
“The piggies will go after those guts over there, if you don’t mind,” Hildebrand said.
Sure enough, in a moment three big sows followed by a cascade of piglets came into the clearing and took to the heap of entrails, shoving and squealing over the choicest parts. The sows were tied together with intricate loops of rope that wound around their necks, behind their forelegs, over their backs, and then to the next hog.
“That’s quite an arrangement,” Turner said.
“Ain’t that so,” said Hildebrand. “A hog don’t like to be interfered with. That biggest one damn near cost me a finger, but I’ll get her back come winter. Fortunately, a hog cannot go backward with any strength, so even a small man can hold them with a rope. If they ever figure out this stratagem and start coming at us, we humans are in trouble.” His voice was soft, with an odd lilt, almost singing his wordsThe sows had finished off the deer guts and settled on the ground to rest, the little ones tugging at their teats. The smallest of the three got up occasionally and snuffed among the leaves for a missed tidbit.
“Enough of hogs,” Hildebrand said. He rubbed his hands on the grass to clean off the venison juices. “My curiosity is aroused. What brings you gents out here in the middle of creation on a boat?”
“I’m starting a settlement,” Turner said. “I’ve been granted some land upriver, in Madison County.”
“Granted? By the state?”
“No, a gentleman named George Webb.”
Hildebrand lowered his head and spat thoughtfully between his legs. The meal was finished, and he plunged his knife into the dirt to clean it. Pettibone and his son had inched their way to the end of the log, their eyes on Hildebrand’s revolver.
“I know who George Webb is. Good man. Never figured him for a town founder.”
“It’s not so much a town as a social experiment. I lecture on social reform, and Mr. Webb follows my ideas. All who come to join the community will own it together. All of our earnings will go to a common treasury, and we will decide democratically how to spend them.”
Another long pause. “Free country, I guess,” Hildebrand finally said. “Well, I better mount up. I can make another six, eight miles before bedding down.” Then he spoke more softly to Turner. “A word with you, sir.”
They walked to the riverbank, out of earshot. “You can read and write, then,” Hildebrand said.
“Yes.”
“Could I trouble you to write a letter for me?”
“Of course.” They stepped onto the boat, where Turner fetched a pencil and his notebook from his bag. He saw Hildebrand cast an appraising glance over the mountain of goods. Turner sat on a stack of flour sacks and turned his notebook toward the firelight. “Go ahead.”
Hildebrand paced back and forth in front of him, his voice low. “The address is Mrs. Rebecca Hildebrand, Desloge, Missouri.” He cleared his throat. “Dear Mother, I hope you are well. I will reach cousin’s by morning. The gentleman who is writing this for me will post it in Greenville.” He paused. “You can, can’t you?”
“My pleasure,” said Turner.
Hildebrand nodded. “My travels have proceeded successfully and with no incident, although I am developing a dislike for hogs, or I should say one hog in particular. I believe my business may take me into Arkansas, Greene County or perhaps even farther. It may be more than a month before I return. Please give my fondest greeting to Father and brothers and keep a spot warm on the hearth for me. Your loving son, Samuel.”
He stopped pacing and watched Turner finish the letter. “The art of the pen is something I never acquired,” he said. “I do regret that at times.”
Back at the fire, Hildebrand shook their hands again. “Best of luck to you on this venture,” he said to Turner, and to Pettibone, “Thanks for the meat.” He twitched the rope on his saddle to get the hogs to their feet.
“I bet you stole them hogs,” Charley blurted out.
Hildebrand did not appear to move quickly; his motion seemed to Turner casual and deliberate. But it must have been quick, for in one moment he was twitching the rope and in the next moment he had his pistol out of his belt, leveled at Charley’s chest, the hammer back. Turner stood in the sudden silence, his heart thumping.
Hildebrand held the pistol still. “You are a boy,” he said after a long time, all the lilt gone from his voice. “A boy is likely to forget his manners. And this gentleman has done me a favor, so I will indulge your lack of manners this once.”
Then as quietly as he had arrived, Hildebrand disappeared into the darkness. Turner, Pettibone, and the boy watched the spot where he had gone.
“I didn’t—” Charley started to say.
Pettibone slapped his son across the cheek, hard. The sound echoed across the river. “Load up this meat,” he said. “We are sleeping upstream and across. That fella may decide to come back, and I do not want to be here if he does.” He kicked the chunks into the fire and walked to the boat without saying another word.
“Yessir,” said Charley, rubbing his cheek.
They poled across the river by lantern light, feeling their way upstream in the darkness, until Pettibone found a campsite on a sandbar. “No fire tonight,” Pettibone said. “Sorry you can’t write your letter to your wife.”
Turner squinted at the moon rising through the trees. “There may be enough light.”
“Suit yourself,” Pettibone said. “We’ll hail Greenville by noon tomorrow and reach your place the next day.”
Turner braced himself against his rolled-up blanket and angled his body so the moonlight fell on the notebook page. He’d made a practice of writing Charlotte every night since his departure and wasn’t about to stop now.
My dear Charlotte—
But what to say? We were very nearly robbed and murdered today, and left on a riverbank for the crows? I have no idea what I am doing? Hardly. There was no purpose served by adding to her fears, and besides, his principle had always been that the idea preceded the action. If he pretended to know what he was doing, and pretended to be unafraid, then soon enough he would figure out what to do, and the fear would go away. He must act as if he had a clear purpose, and soon enough the purpose would emerge.
We had a most interesting encounter with one of the native folk today, a real woods ruffian, although his manner was gentlemanly. We are out of the swamps and into the hill country, and I believe I can detect a change in the air already—
He laid the notebook aside. He couldn’t bring himself to write what was in his heart. I am afraid. I feel a fool. I never meant for people to take my ideas so seriously. I wish I was with you, back in Kansas.
He would have to finish the letter in the morning. As he rolled out his blanket on the rocky riverbank, Turner thought of the words his father-in-law had spoken to him before he left, trying to talk him out of this scheme: Man is a wolf to man.
Blank Slate Press was pleased to join Fred Venturini last week as he spoke to a packed room at Kaskaskia College in Southern Illinois. Invited by Josh Woods, a writer himself, Fred was introduced by Dr. Labyak, the Vice President of the College. After reading a passage from THE SAMARITAN, Fred took questions from the students for about an hour and then signed books and chatted one on one with many of the attendees. Here’s some of the photos.
We had two events this past week that featured our wonderful writers and that gave us a chance to give readers a peek at our upcoming release, DAYBREAK by Steve Wiegenstein. First, on Wednesday night, Anene Tressler read from her debut novel Dancing with Gravity at the Kirkwood Public Library. It was a well attended event and we even had a chance to sell some books thanks to Main Street Books in St. Charles.
Then on Saturday and Sunday, we enjoyed the beautiful weather at our first-ever booth in the Historic Shaw Art Fair. Thank you to the Art Fair organizers for letting Blank Slate Press participate and thank you to everyone who stopped by our booth to buy a book and meet our authors! Fred Venturini, author of The Samaritan, was on hand to sign books on Saturday (and sign 100 books those who participated in our Klout promotion!), and Anene was in the booth visiting with readers and signing books on Sunday. It was a wonderful opportunity to connect with old friends and make new friends among neighbors, art lovers, readers and writers from across the country. The weather was perfect, the conversation was animated, and besides some tired feet and aching backs, we had a fantastic time!
I added our presenter’s notes to the slideshow Jason Makansi used at the recent St. Louis Publishers’ Association meeting. The meeting’s focus was public speaking and how authors can use events to promote their work. Let us know if you have comments/ideas/suggestions on the presentation or gives us your ideas for ways authors can use events to engage their readers.








































The Author as Public Speaker
I recently received an invitation to speak about public speaking and book promotions at the St. Louis Publishers Association monthly meeting. Since I’m in Florida helping to get ready for my niece’s wedding, one of my partners (Jason Makansi, my hubby) is doing the presentation for me. As a former magazine editor, journalist, and consultant, he has spoken to thousands of people in hundreds of venues over the years. I put together the ppt slides and he’s putting his own spin on the talk. After the event is over, we’ll post a link to the slides here.
In the meantime, the whole process got me thinking about what it takes to be an effective speaker. And, while I was thinking about that, I was reminded of some of the most effective presentations I’ve seen. So, I tooled on over to TED talks and spent way too much of my time this morning re-watching a couple of my favorites. If you haven’t watched any of these dynamic presentations, I highly recommend it. You will learn something new and fascinating about an idea “worth spreading” and you will see top notch presenters in action.
BSP News
Fred’s Labor Day Weekend
It was a blistering 103 degrees as author Fred Venturini and his lovely wife Krissy rode in Fred’s hometown Labor Day Parade in Patoka, IL. After the parade, BSP was on hand to handle a brisk business in book sales as old friends stopped by to greet Fred and get copies of The Samaritan signed. Other than the heat–and it is summer, after all–it was a great day.
Anene’s Reading at Kirkwood Library – September 28, 7:00 pm
Join BSP Author Anene Tressler as she reads from her award-winning debut novel Dancing with Gravity. If you haven’t heard Anene read, you’re in for a treat because not only is she a wonderful writer, but her readings are beautiful, nuanced, poetic. Which makes sense because she’s also an award winning poet. Books will be available for purchase at the Kirkwood Library through STL independent bookstore Main Street Books. So, come out and support a local author, your public library, and an independent bookstore!
Here’s a bit about Dancing with Gravity:
After being chosen to minister to a circus harboring South American political refugees, Father Samuel Whiting’s self-imposed isolation is shattered as his deepening friendship with the trapeze artist forces him to reevaluate his call to the priesthood. Lyrical prose with moments of astonishing beauty, Dancing with Gravity reveals the vulnerabilities, the petty motivations, and the universal need for love and purpose hidden in every human heart.
A New/Old Review of The Samaritan
In other news, in a post on Fred’s author Facebook page, Adam-Troy Castro brought to our attention a review he wrote for SCI FI magazine, the magazine of the Syfy Channel. Although Adam-Troy notified me about the review, somehow I missed his e-mail. Now, I’m thrilled to post his original version here:
Here is the complete text.
THE SAMARITAN
By Fred Venturini
202-page trade paperback
Blank Slate Press
$14.95
A+This is not an author you’ve ever heard of. The same can be said of the publisher, which is not a traditional outlet for works of science fiction but a regional small press dedicated to “discovering, nurturing, publishing and promising new voices from the greater St. Louis area.” The book will almost certainly be overlooked by a wider audience.
And yet — no kidding — this early February 2011 release is already a strong candidate for most powerful science fiction novel of the year. Those few of you moved by these words or by the praise it will likely receive elsewhere to do whatever you have to in order to get your hands on a copy will be rewarded by a strong narrative voice, a richly-conceived central friendship, and a story with genuine emotional depth that evades the comforts to be found in traditional formula.
The fantastic element takes its own sweet time showing up, so that we may first spend approximately a quarter of the novel following the progress of a high school friendship between the socially withdrawn Dale Sampson and his only buddy, hotshot athlete and fanatical girl-hound, Mack Tucker. Narrator Dale is from an early age the kind of guy who’s just no good at life: not making friends, not speaking to girls, and certainly not doing anything with his days and nights but marking time; Mack is the opposite, a kid who relationships with the female gender amount to racking up names on a personal scorecard and then bragging about it afterward. Then Dale develops a crush on a beautiful girl named Regina, who is dating absolutely the wrong kind of guy, the school thug.
This is hardly an unusual situation, in real life or in fiction, and a lesser writer would have handled it schematically, drawing the conflicts in the broadest possible strokes and then moving on to the introduction of the fantasy elements as soon as possible. Not so Venturini. He captures Dale’s voice, and Mack’s, and renders Regina herself more than just a generic nice girl, allowing character to dictate what soon happens between them and how it affects Dale as high school recedes and he enters adulthood, a profoundly damaged man still no damn good at forging a life for himself, who just happens to be possessed of what can only be described as a mutant power.
It’s not a happy book. Bad things happen to good people. Not all the right people prosper. Not all the right infatuations blossom into love. There are tragedies and life-destroying acts of violence. Dale himself lives his life like a man who just wants to get it over with, wasting years of his young adulthood on inertia, self-pity, and daytime re-runs. His super-ability brings him no joy, not even when it brings him national fame. Even breathtaking acts of personal generosity on his part — the source of the title and the name by which he comes to be known — come off as little but an extended effort at suicide by self-sacrifice. The issue ultimately becomes whether he will find a reason to live, or be destroyed by his ultimate and most dramatic use of his odd gift.
I don’t know anything about Fred Venturini, but the man is a writer of rare gifts and understanding of the human condition, and I feel no qualms about predicting that few of 2011’s genre offerings will match his accomplishment here. Take the plunge.
The beauty of the written word – spoken
Anene Tressler reads from Dancing with Gravity
Over at Anene’s blog, she talks about reading from her award-winning debut novel, Dancing with Gravity, at the Iowa City Book Festival this summer. It was our first book festival and we were thrilled to meet some fantastic authors from around the country, sell some books, and have a great reading. Readings are always tricky and I’ve seen big name authors draw just a few attendees. The key is to provide a great experience for the reader even if it is only THE ONE READER in the audience. Luckily we had more than one attendee and we were, in fact, surprised by the number of people who showed up to hear the reading.
Because Fred Venturini (author of The Samaritan) couldn’t make the book fair, I read a short selection from his book and then Anene read. When it comes to readings, there is only one thing to say about Anene: she is great. I could go on and on, but check it out for yourself:
Moving time.
So…one thing I’m not is a web guru. Even though I’ve been designing and hosting websites for about 10 years now, I continually amaze myself at how many dumb mistakes I can make…like accidentally taking down our old site before our new one was live.
Oops.
I hope you’ll have patience and visit our new site as soon as it is ready. In the meantime, we’ll use our blog for updates and communications.
See ya soon.
BSP
on writing…
"Writing is a struggle against silence."
- Carlos Fuentes"Easy reading is damn hard writing."
- Nathaniel HawthorneBSP Authors
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![IMG_0267[1]](http://blankslatepress.com/wp-content/uploads/2011/10/IMG_02671.jpg)
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